{"id":10425,"date":"2005-05-03T02:14:56","date_gmt":"2005-05-03T02:14:56","guid":{"rendered":"http:\/\/samhilliard.com\/wordpress?p=10425"},"modified":"2005-05-03T02:14:56","modified_gmt":"2005-05-03T02:14:56","slug":"cliff-hangers","status":"publish","type":"post","link":"http:\/\/www.samhilliard.com\/wordpress\/2005\/05\/03\/cliff-hangers\/","title":{"rendered":"Cliff-hangers"},"content":{"rendered":"<p>One key ingredient among thrillers, regardless of the underlying writing style, is the cliff-hanger.  Webster defines the device as \u201can adventure serial or melodrama presented in installments each ending in suspense\u201d.   A spot on definition.  The natural bookend to the hook, or lead-in, a good cliff-hanger leaves the reader wanting more.<\/p>\n<p>After seven months of working on Velocity it&#8217;s my conclusion that ending every chapter with a cliff-hanger is a very difficult task, the opposite of what I expected.   This is not for want of examples.  Most television shows use the technique, and I&#8217;ve certainly watched my share of those.  Films do it, and I&#8217;ve read a few dozen thrillers in the last few years.  How hard could it be really?  To me, pretty rough going, but part of the process.  <\/p>\n<p>Why bother so much with cliff-hangers?  It all comes back to my single biggest obstacle: a lack of focus.  Not that I can&#8217;t focus at the keyboard, but exploring the back story of a character, even where it isn&#8217;t necessarily part of the story is very tempting.  Extremely tempting at times.  Runaway narrative is fun for the writer, not so nifty for the reader.<\/p>\n<p>And that&#8217;s where cliff-hangers come in, because thinking in terms of short, tight scenes impels focus.  It forces a thorough consideration of the beginning, middle and end at the scene level.  Focus is the means and a natural byproduct of the exercise.<\/p>\n<p>While some cliff-hangers in Velocity are more dramatic than others, with twenty-three chapters in the can, I believe the the results are worth the time.  So I&#8217;ll keep at them.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>One key ingredient among thrillers, regardless of the underlying writing style, is the cliff-hanger. Webster defines the device as \u201can adventure serial or melodrama presented in installments each ending in suspense\u201d. A spot on definition. The natural bookend to the hook, or lead-in, a good cliff-hanger leaves the reader wanting more. After seven months of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10425","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"http:\/\/www.samhilliard.com\/wordpress\/wp-json\/wp\/v2\/posts\/10425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.samhilliard.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.samhilliard.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.samhilliard.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.samhilliard.com\/wordpress\/wp-json\/wp\/v2\/comments?post=10425"}],"version-history":[{"count":0,"href":"http:\/\/www.samhilliard.com\/wordpress\/wp-json\/wp\/v2\/posts\/10425\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.samhilliard.com\/wordpress\/wp-json\/wp\/v2\/media?parent=10425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.samhilliard.com\/wordpress\/wp-json\/wp\/v2\/categories?post=10425"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.samhilliard.com\/wordpress\/wp-json\/wp\/v2\/tags?post=10425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}