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Archive for January, 2010

Grateful

Sunday, January 31st, 2010

Almost a year ago to the day, my mother was diagnosed with an extremely aggressive form of cancer. At the time it was a bit of shock, largely because she was the sort of person who was healthy, and because there was until that moment no trace of cancer in the family ever manifested itself. Like at all. Women in our family live into their nineties. They generally die because well, 96 is fricking old. Something critical wears out eventually.

I can remember the very moment my mother felt sorry for herself; it lasted about as long as it took her to ask the doctor when the treatments would start. Roughly between five and fifteen seconds. Before the doctor finished explaining what had to happen next, pity part over.

And she fought like Muhammad Ali gearing up for the George Foreman fight. Her very own Rumble in the Jungle. Except the title in question was a lot more important. There were good days, ok days and really awful days. There were days the drugs and the radiation fogged her mind so completely, her confusion was palpable.

For the next six months, the one thing she kept coming back to was numbers. As in how many treatments remained. She did everything they asked and more.

So it’s a year later now, and yesterday Mom and I went out for some fast food, the first she had eaten in over a year. And she asked me if I wanted anything for my birthday. In my mind, there could be only one answer.

“I already got everything I want. You’re still here.”

Been there screamed at that

Monday, January 25th, 2010

Hell is running on an elliptical backwards. Ouch. Excuse me now, please. Have to go ice down my thighs.

Last Track podcast announcement

Monday, January 25th, 2010

At the publisher’s suggestion, a podcast with a reading of The Last Track will be available for download in the next month or so. Starting shortly after the release date–an announcement about this soon–every few days another scene will appear, until a large portion of the novel is available in audio form. Spent much of this weekend editing down the files narrated by the magical ( ok, he’s not particularly magical, more like  insanely talented ) Chris.

If I was sick of the story by this point–after all this time malaise affects anyone, familiarity breeds contempt–hearing someone breathe life into the characters at this point is energizing. One of the great things about working with Chris is he performs with minimal direction, perceives subtle intricacies about the characters, and works them into his vocal performance–all while honoring the story and characters. Just give him a stack of pages and answer the occasional answer and he handles the rest. That says something about his talent. Intuitively he senses exactly which scenes or passages could be played in different ways, then works them from one of those viewpoints, and leaves it for me to decide which approach works best. I want to believe I have chosen wisely.

Of course, this means listening to a lot of audio files, but man, this is a good problem to have.

Now about the release date. A tiny issue reproducing the cover at the printer became clear this past week. Because there is some go between between the publisher and proofs and notes about them from both sides flying back and forth in the mail ( really can’t know what something renders until the many colored inks hits the paper ) there’s a small chance the date will be pushed out a bit. It will still make February, but whether it’s the 13th or the 27th, is a big question mark right now.

Again, a good problem to have, really.

Final cover for the Last Track

Friday, January 22nd, 2010

If it’s possible, I love Elynn a little more. Here’s the final cover for The Last Track:

Cracked seat

Thursday, January 21st, 2010

Recently I noticed an odd cut on the Poet. Somewhere between leaving for work and returning home the toilet seat cracked into two pieces. Tragically, she discovered this the hard way.

So after we finished laughing ( to her credit she found the injury almost as sad/funny/enraging as I did ) about the predicament, it was off to a home supply store. A plethora of new shiny seats awaited. Pretty much any style seat one could imagine. As long as you like your seat white.

But I noticed something askew in the world of toilets. Most bowls can accommodate a much wider seat than what the toilet manufacturers ship with them. And as most statistics allege, in matters of bathroom survival, every inch counts. So all these years, I had been denied a proper fitting toilet seat. Nothing worse than discovering a unexpected deprivation.

So I bought the super-wide American ass seat. In white.

And somehow, everything about the number two seems better.

It happened

Wednesday, January 20th, 2010

For the first time since 1995, I own a television. Hard to be believe, but for the last 15 years, my residences, regardless of living situations, have been TV free. There’s a long and convoluted story behind how that started, which stemmed from childhood issues. Not my own, mind you, but childhood issues.

Keep in mind, lacking a set does not equal watching zero minutes of television programming; I grabbed the occasional episode of South Park or Family guy at a neighbor’s place. Between hulu.com and the news sites, I had a basic sense of what was happening in entertainment and politics, which apparently are one and the same these days.

Thinking about this “absence” now, I can’t say I really missed having one, even though a common exchange when others uncovering my secret went something like this:

Unbeliever: “You really don’t have a TV? What do you do at night?”

Sam: “Read. Write. And chores and whatnot so my weekends are free for relaxation.”

Unbeliever: “But like, what do you do?”

Sam: “It really depends.”

Unbeliever: “You’re Amish, aren’t you?”

Sam: “Episcopalian. But very close.”

Amazon.com ran a one day sale, free shipping and no taxes, so I took the plunge.

In a way, I am part Amish.

After, still no cable. But the DVDs look pretty damn good on a much larger screen.

Robert B. Parker

Wednesday, January 20th, 2010

Regardless of when someone first discovers the writing of Robert Parker, they almost always reach a similar conclusion: the only thing that exceeds his genius is his mastery of the novel form. Few writers–if any–blend the elements of character, narrative and humor more expertly than the true heir to the Raymond Chandler legacy.

Parker is the master of the detective driven mystery novel. A study in persistence, he writes page days a day, five days a week, fifty weeks a year. His bibliography includes more than sixty books encompassing the worlds of three different recurrent characters. The most well-known is Spenser, a well-educated but tough as nails hard-boiled private detective who quotes passages of Yeats, cooks gourmet food, and wears custom made shirts to accommodate his large neck and shoulders muscles.

His influences include Dashiell Hammett, Raymond Chandler and Ross Macdonald. Mystery and fiction writers alike consider him a tremendous presence, a literal force of nature. Parker considers himself a writer first ( before being a mystery writer ) and advises other aspiring authors to stop waiting around for inspiration to strike and find it by sitting down before the empty page.

And on January 19, 2010 at the age of 77, Robert Parker sits down at his desk one last time.

His body is gone now, but his voice, spirit and stories live  on, delighting readers and writers alike. Every mystery writer worth a damn in the last thirty years owes something to Parker, whether they recognize it or not.

Here’s to you, Robert B. Parker. You’re a hell of a writer. Thanks for Spenser. Thanks for blazing a trail so brightly other writers could dream to follow. Thanks for being what every writer wants to be.

And most of all, thanks for showing writers what they could be.